Showing posts with label Ohio. Show all posts
Showing posts with label Ohio. Show all posts

Saturday, September 26, 2026

The Haunting of the Athens Lunatic Asylum — The Ridges Athens, Athens County, Ohio

Athens, Athens County, Ohio

Photo: Wikipedia


On a wooded hillside overlooking Athens, Ohio, stands one of the most imposing surviving former psychiatric hospitals in America.

Today, the sprawling property is known simply as The Ridges.

Its enormous Victorian buildings rise above the surrounding landscape, their long wings stretching outward from a central administration building constructed according to a nineteenth-century philosophy that architecture itself could help heal the human mind.

For nearly 120 years, thousands of people lived, worked, suffered, recovered, and died here.

And according to generations of stories, some of them may never have completely left.

Visitors, students, employees, and paranormal investigators have associated The Ridges with unexplained footsteps, disembodied voices, shadowy figures, strange sounds, and the feeling of being watched inside buildings that once housed hundreds of psychiatric patients.

But the most famous story connected with the former asylum is not merely a ghost story.

It began with the disappearance of a real woman.

And with a stain on the floor that became one of the strangest legends in Ohio.

The history of The Ridges began after the Civil War.

In 1867, the Ohio legislature authorized construction of a new psychiatric institution for southeastern Ohio. Athens was selected as the location, and construction of the enormous hospital began the following year.

The facility was designed according to the principles of Dr. Thomas Story Kirkbride, one of the nineteenth century's most influential advocates for the humane treatment of people with mental illness.

Kirkbride believed a psychiatric hospital should not resemble a prison.

Patients should have fresh air, sunlight, beautiful surroundings, exercise, meaningful activity, and space away from crowded cities.

The building itself was intended to become part of the treatment.

The Athens hospital reflected that philosophy.

A central administrative section was surrounded by long, staggered wings designed to provide patients with ventilation, sunlight, and views of the countryside. The grounds eventually included gardens, farmland, orchards, greenhouses, ponds, walking paths, livestock, and recreational areas.

When the Athens Lunatic Asylum opened in January 1874, it represented what was then considered a progressive approach to psychiatric care.

It had been constructed to accommodate approximately 572 patients.

It would not remain that way.

People were committed to the institution for an enormous variety of reasons.

Some suffered from conditions recognizable today as schizophrenia, severe depression, bipolar disorder, dementia, addiction, or post-traumatic stress.

Others entered with epilepsy, tuberculosis, postpartum depression, or conditions associated with aging.

Historical admission records also reflect nineteenth-century medical and social attitudes that could classify behavior or conditions very differently from modern medicine.

Over time, the institution grew.

More buildings were constructed. More land was acquired. Patients worked on the farms and grounds, helping produce much of the food needed by the hospital.

The institution became almost a community unto itself.

But the original philosophy of small-scale therapeutic care became increasingly difficult to maintain.

By the beginning of the twentieth century, the hospital was shifting away from the original Moral Treatment model toward a more custodial system.

And the population continued climbing.

By the 1950s, approximately 1,800 patients were being treated at the facility—more than three times the number envisioned for the original hospital.

Psychiatric medicine was changing as well.

Patients at Athens experienced treatments that reflected the medical thinking of their respective eras.

Hydrotherapy was used.

Electroconvulsive therapy was introduced.

And during the era when psychosurgery was promoted as a treatment for severe mental illness, lobotomies were also performed.

Some treatments once considered innovative are now remembered as disturbing chapters in psychiatric history.

Others evolved into therapies that, in substantially refined forms and under very different medical standards, remain in use today.

The arrival of effective psychiatric medications in the 1950s helped change institutional care dramatically.

By the 1970s and 1980s, the national movement toward deinstitutionalization had reduced the population at Athens considerably.

Approximately 1,800 patients had once occupied the hospital.

By 1985, only about 200 remained.

But during those final decades, one patient would become permanently connected with the mythology of The Ridges.

Her name was Margaret Schilling.

In December 1978, Schilling disappeared from her ward.

A search began.

She was not found.

More than a month passed.

Then, in January 1979, her body was discovered inside an abandoned section of the hospital.

She had apparently entered an unused ward and become trapped or unable to find her way out.

She had removed her clothing and folded it nearby before dying on the floor.

The tragedy might have remained one of many sad episodes in the hospital's long history if not for what reportedly remained after her body was removed.

A stain.

The outline left on the floor appeared disturbingly similar to the shape of a human body.

Attempts were reportedly made to clean it.

The image remained.

Over the years, the stain became one of the most famous features associated with the former asylum.

Stories grew around it.

Some claimed that Schilling's spirit continued to occupy the building.

People reported unusual sounds and sensations near the area where she died.

Others claimed to see a female figure inside the old hospital or looking through its windows.

The outline on the floor became inseparable from the haunting legend of The Ridges.

There are possible natural explanations for the stain.

A body left undiscovered for weeks undergoes significant decomposition. Fluids and chemical changes can permanently affect porous materials and finishes beneath it.

That explanation does nothing to make Margaret Schilling's story less disturbing.

Nor does it prove that later paranormal experiences attributed to her were supernatural.

It simply separates a documented human tragedy from the mythology that developed around it.

And Margaret is far from the only person whose death remains connected to the grounds.

The former asylum contains three cemeteries.

More than 1,900 patients who died at the institution and whose remains were not claimed by relatives were buried there.

For many years, their graves were identified not by names but by small numbered markers.

Time was not kind to the cemeteries.

Markers were displaced, damaged, buried, or lost beneath vegetation.

In more recent years, volunteers and organizations have worked to restore the burial grounds and return names and identities to people who had effectively become numbers.

The cemeteries add another dimension to the paranormal reputation of The Ridges.

Visitors have described strange sounds, unexplained movement, and an oppressive feeling among the graves.

But the cemeteries are first and foremost burial places.

Whatever anyone believes about ghosts, the people buried there were real.

Their graves deserve the same respect as those in any other cemetery.

Stories of unexplained activity are not confined to the burial grounds.

Across the old hospital complex, people have reported hearing footsteps in empty hallways and voices coming from unoccupied rooms.

Doors have reportedly opened or closed without an obvious cause.

Shadow-like figures have been described moving through corridors.

Some witnesses have reported seeing figures through windows in sections of buildings believed to be empty.

Others describe sudden cold spots or the unmistakable sensation that another person is standing nearby when no one can be seen.

The sheer scale of The Ridges undoubtedly contributes to its reputation.

This is not a single abandoned house with a creaking staircase.

The property covers hundreds of acres.

Its historic hospital complex contains vast corridors, staircases, wards, utility spaces, former patient rooms, offices, and institutional spaces accumulated through more than a century of expansion.

Old buildings also produce old-building noises.

Heating and ventilation systems carry sound.

Wood, plaster, pipes, masonry, and metal respond to changing temperatures.

Animals move through surrounding wooded areas.

Voices and footsteps can travel surprising distances through enormous institutional structures.

And anyone entering a former psychiatric hospital already famous for hauntings is likely to pay considerably more attention to every unexplained noise.

Yet even without a single ghost story, The Ridges would remain haunting.

Its history contains thousands of individual lives.

Some patients stayed briefly and returned home.

Others spent years or decades there.

Some experienced treatments that helped them.

Others lived through periods when psychiatric medicine understood far less about the conditions it was attempting to treat.

And some died there with no family willing or able to claim them.

The hospital finally ceased operating at The Ridges in 1993, when the remaining patients were transferred to a newer facility.

Ohio University took stewardship of the property.

Instead of demolishing the massive historic complex, the university began finding new purposes for portions of it.

Today, The Ridges is no longer an abandoned psychiatric hospital.

Several buildings have been renovated and reused for university programs, research, cultural facilities, classrooms, and offices.

The former central administration building now houses the Kennedy Museum of Art.

The surrounding grounds contain walking trails, preserved landscapes, historic structures, and the old asylum cemeteries.

Other portions of the enormous complex remain restricted or await future rehabilitation.

That means visitors should not attempt to enter closed buildings simply because they have seen them featured in paranormal stories.

The Ridges belongs to Ohio University, and posted restrictions should be respected.

Perhaps that is ultimately what makes The Ridges more compelling than the exaggerated asylum legends that surround so many abandoned institutions.

It does not need invented torture chambers or fictional murderous doctors.

Its documented history is powerful enough.

A nineteenth-century experiment in humane psychiatric care became an overcrowded twentieth-century institution, survived enormous changes in medicine, closed after nearly 120 years, and left behind buildings, cemeteries, records, memories, and stories belonging to thousands of people.

And in one quiet section of the old hospital, a woman named Margaret Schilling disappeared in the winter of 1978.

Weeks later, she was found.

But the outline left behind became part of the building.

And nearly half a century later, her story remains part of The Ridges. 🌹

Visitor Information:
The Ridges
Ohio University
Athens, Ohio 45701
Website: https://www.ohio.edu/ridges

The Ridges is owned by Ohio University and is no longer a psychiatric hospital. Portions of the historic complex have been restored for university, cultural, and educational use, including the Kennedy Museum of Art. The grounds and designated trails may be visited, but some buildings and areas are closed or restricted. Visitors should obey all posted signs, respect the asylum cemeteries, and never enter secured or abandoned structures without authorization. Current access information should be checked through Ohio University before visiting.

Enjoyed the story? πŸ‘» Toss a little somethin' in the Tip Jar.
True Hauntings of America Tip Jar
Tip Jar hosted by our sister site, April Moon Astrology.
Thank y'all! πŸ’‹

Wednesday, September 23, 2026

The Haunting of the Twin City Opera House


McConnelsville, Morgan County, Ohio

Photo: Wikipedia


In the heart of the small Ohio River town of McConnelsville stands a theater where the show may not always end when the audience goes home.

The Twin City Opera House has survived for more than 130 years.

Actors have crossed its stage. Musicians have performed beneath its lights. Silent films flickered across its screen. Generations of local residents have climbed its stairs, filled its seats, worked behind its curtains, and disappeared again into history.

According to some who know the building best, a few of them may never have left.

People inside the Twin City Opera House have reported footsteps in empty areas, unexplained voices, shadowy figures, sudden cold spots, objects apparently moving without assistance, and apparitions appearing among the seats.

High above the stage, something has reportedly moved along the catwalk.

Below it, the basement has developed a considerably darker reputation.

And among the theater's seats, some believe an old usher is still making his rounds.

The story begins in the nineteenth century, when McConnelsville was a prosperous Morgan County community.

Riverboats traveled the Muskingum River. Railroads crossed the surrounding countryside. Mills, factories, hotels, stores, and restaurants served a population considerably larger than the county has today.

By the late 1880s, community leaders decided McConnelsville needed a substantial new public building.

The result would combine government offices with a performance hall.

Construction began in 1889, and on May 28, 1892, the Twin City Opera House opened its doors.

Its opening performance was Gilbert and Sullivan's The Mikado.

The building was promoted as one of the first in the county to feature electric lighting.

Unfortunately, opening night demonstrated one of electricity's early disadvantages.

The generating system failed.

The brand-new electric opera house spent much of its grand opening in darkness.

It would not be the last strange night inside the building.

The theater was designed for the elaborate live productions of its era.

Large doors behind the stage allowed enormous scenery to be moved into position. Trapdoors in the stage floor allowed performers to disappear below the stage and reach dressing areas quickly during costume changes.

Evidence of those old stage mechanisms can still be found beneath the theater.

So can evidence of a night when the Opera House nearly burned.

During an early twentieth-century performance, hot ashes from the coal furnace beneath the stage ignited the wooden joists supporting it.

The curtain was lowered while the orchestra continued playing.

Firefighters entered through the stage door and extinguished the flames, but not before the fire burned a large hole through part of the stage.

Local tradition maintains that the performance continued using the portion of the stage that had not burned.

The Opera House survived.

It continued adapting as American entertainment changed.

Silent films arrived. Projection equipment was installed. Eventually talking pictures replaced silent movies, and the Opera House evolved into both a theater and cinema.

Movies have been shown there for generations.

But by the twentieth century, people were also beginning to talk about another kind of activity inside the building.

Stories of unexplained events at the Opera House have circulated publicly for decades.

One frequently repeated account dates from the 1960s.

According to the story, a janitor working alone inside the building encountered something so frightening that he fled and refused to return.

Precisely what the man allegedly experienced has become unclear with repeated retellings, and documentation confirming the incident is limited.

But the story became part of the Opera House's growing supernatural reputation.

Other incidents were harder to ignore.

Objects were reportedly discovered in places where no one remembered leaving them.

The theater's drapes were said to move or close unexpectedly.

Footsteps were heard when areas of the building appeared empty.

And people began reporting figures that seemed to belong to another time.

Perhaps the best-known is Everett.

Everett Miller is remembered in the Opera House's paranormal tradition as a longtime employee who reportedly spent decades working as an usher and later around the theater.

Witnesses have described seeing a male figure associated with Everett moving through the auditorium and balcony.

During paranormal investigations, people have reported the sensation of someone following them through the theater.

Cold spots have appeared unexpectedly.

Investigators have also reported seeing human-shaped figures sitting among otherwise empty seats, only for them to disappear when approached or viewed more closely.

If Everett still walks the aisles, however, he is far from the Opera House's only alleged resident.

High above the stage is another of the building's most famous paranormal locations.

The catwalk.

A presence known as Elizabeth has long been associated with this area.

She is usually described as a young girl.

People have reported hearing childlike footsteps and giggling, and investigators have described what they interpret as playful responses to lights and other equipment.

Stories have developed attempting to identify Elizabeth and explain how she became connected to the Opera House.

One version claims she was a child born in the 1890s whose mother was a traveling performer and whose father worked around the stage.

According to that story, Elizabeth became ill and died while her mother was performing.

The Opera House's present paranormal researchers are careful about this history.

The identity and biography attached to Elizabeth have not been conclusively established through surviving historical records.

What can be documented is the persistence of reports involving a childlike presence around the catwalk.

The distinction matters.

An unexplained giggle is one thing.

Giving the unseen child a complete biography is another.

And Elizabeth is not the only personality investigators believe they have encountered.

Over the years, paranormal teams have attached names and stories to several apparent presences within the building.

Electronic Voice Phenomena, usually called EVPs, have played an especially large role in the Opera House's haunted reputation.

Investigators have reported recording hundreds of unexplained voices and sounds during investigations.

One recurring presence has become known by the memorable nickname "Red Wine Robert," after investigators interpreted an audio recording as a male voice referring to red wine.

Stories also circulate about a man associated with the building's ballroom and about voices resembling women singing old songs.

As with Elizabeth, some of the detailed identities attached to these alleged spirits remain folklore or investigator interpretation rather than firmly established history.

Then there is the basement.

Reports from the lower portions of the Opera House are often considerably less playful.

Investigators and visitors have described shadowy figures moving through the darkness, sudden changes in temperature, unexplained sounds, and the uncomfortable sensation that something is watching from just beyond the light.

The basement, backstage areas, balcony, catwalk, auditorium, and spaces beneath the stage have all become targets for paranormal investigations.

And there have been many of them.

The Twin City Opera House has attracted paranormal teams from around Ohio and beyond.

Its reputation eventually reached national television.

In 2019, Jack Osbourne and Katrina Weidman investigated the building for the first season of Portals to Hell.

The television appearance introduced the Opera House to a much larger paranormal audience, but it did not create the haunting.

Stories about unexplained activity inside the building had already circulated for decades.

Today, the theater openly embraces that part of its history.

Private and public paranormal investigations allow visitors to enter the building after normal operations have ended and spend hours investigating its auditorium, stage, balcony, catwalk, basement, and other reportedly active areas.

There are no actors hiding around corners.

There are no scripted jump scares.

And the people operating the paranormal investigations do not guarantee that anything supernatural will happen.

That distinction is important.

The Twin City Opera House is not a Halloween haunted house.

It is still a working historic theater.

And there are plenty of ordinary reasons why a building like this might occasionally behave strangely.

The Opera House is enormous and old.

Its stage contains old machinery and structural spaces unfamiliar to most visitors. Staircases, balconies, tunnels, backstage passages, heating systems, pipes, wooden floors, and hollow spaces can carry sounds considerable distances.

Someone walking on one level may sound as though they are directly above or behind someone standing somewhere else.

Old wood expands and contracts.

Curtains move with air currents.

Shadows from emergency lights, equipment, passing vehicles, and streetlights can behave strangely inside a dark auditorium.

And paranormal investigators entering a famously haunted building at midnight are naturally more alert to unusual sounds and movements than an audience watching a Saturday-night movie.

EVPs present their own difficulties.

Recordings containing faint or ambiguous sounds can be interpreted differently by different listeners, particularly after someone suggests what a supposed voice might be saying.

None of those explanations proves that every experience inside the Opera House has an ordinary cause.

They simply remind us that the most interesting haunted places are often those where history, architecture, human perception, folklore, and genuinely unexplained experiences overlap.

The Twin City Opera House has been doing exactly that for generations.

More than a century after its opening night unexpectedly plunged into darkness, the lights still come on.

The movies still play.

Performers still cross the stage.

Audiences still fill the seats.

And when the final audience member walks outside, the doors are locked, and the old theater becomes quiet again, investigators sometimes remain behind.

Listening for footsteps in an empty balcony.

Waiting for a child's giggle above the stage.

Watching the darkness between rows of vacant seats.

And wondering whether Everett is still there, making one last round through the Opera House before the curtain rises again.

Visitor Information:
Twin City Opera House
15 West Main Street
McConnelsville, Ohio 43756
Theater Phone: (740) 962-3030
Paranormal Investigation Information: https://hauntedtwincityoperahouse.com

The Twin City Opera House remains an operating historic theater and cinema. Paranormal investigations are also offered on scheduled dates and by advance reservation. Access to areas such as the catwalk, basement, and other investigation spaces may be restricted and should only be attempted through an authorized event. Performance schedules, investigation dates, prices, and visitor policies can change, so check with the Opera House before planning a visit.

Enjoyed the story? πŸ‘» Toss a little somethin' in the Tip Jar.
True Hauntings of America Tip Jar
Tip Jar hosted by our sister site, April Moon Astrology.
Thank y'all! πŸ’‹

Monday, March 30, 2026

The Haunting of Prospect Place Mansion

Dresden, Muskingum County, Ohio


In the quiet village of Dresden, Ohio, Prospect Place Mansion stands as one of the most historically significant homes in the region. Built in 1856 by abolitionist and politician George W. Adams, the grand mansion was designed as both a family residence and a place of refuge during a time of national division.

Prospect Place became a documented stop along the Underground Railroad, offering shelter and protection to those seeking freedom. Its large structure, hidden spaces, and rural location made it an ideal sanctuary for individuals escaping slavery. The home’s history is deeply tied to both hope and danger, as those who passed through its doors often did so under threat of capture.

Beyond its role in the Underground Railroad, the mansion later served as a gathering place for community events, social functions, and political discussions. Over the years, generations of people moved through the home, leaving behind a layered history shaped by both everyday life and extraordinary circumstances.

During the Civil War era, the mansion was reportedly used as a temporary holding location for Confederate prisoners. Some accounts suggest that tensions ran high within the home during this time, adding another chapter of emotional intensity to its past.

As the years passed, stories began to emerge of unusual occurrences within the mansion. Visitors, volunteers, and investigators have reported a wide range of unexplained activity throughout the property.

One of the most frequently mentioned presences is believed to be that of a young girl. Witnesses have described hearing the sound of a child’s footsteps moving through hallways or up staircases when no one else is present. Others have reported brief sightings of a small figure, often appearing for only a moment before disappearing.

There have also been reports of disembodied voices, including whispers and faint conversations that seem to come from empty rooms. Some visitors describe hearing their names called softly, only to find themselves alone.

Objects within the mansion have occasionally been reported to move without explanation. Doors may open or close on their own, and items are sometimes found in different locations than where they were left. In certain rooms, guests have described sudden changes in temperature or an overwhelming sense of unease.

Investigators who have spent extended time in the mansion have reported equipment malfunctions and unexplained readings, particularly in areas associated with the home’s Underground Railroad history. Some believe the emotional weight of those who once sought refuge there may have left a lasting impression on the space.

Skeptics suggest that the age of the mansion and its construction could easily contribute to many of these experiences. Old buildings often produce shifting sounds, drafts, and structural noises that can be misinterpreted, especially in quiet environments.

Today, Prospect Place Mansion is preserved as a historic site and is open to the public for tours and events. Visitors can explore its rooms, learn about its role in American history, and experience the atmosphere of a place that has stood for more than a century and a half.

Whether the reported activity is rooted in folklore or something more difficult to explain, Prospect Place remains a place where history feels close—and where some believe it has never fully moved on.

Visitor Information:
Prospect Place Mansion
1212 Adams Lane
Dresden, Ohio 43821

Prospect Place is open for tours, historical events, and occasional paranormal investigations. Visitors can explore the mansion and its grounds while learning about its role in the Underground Railroad and local history.

Sunday, September 21, 2025

The Haunting of Franklin Castle, Cleveland, Ohio

Franklin Castle – Cuyahoga County, Cleveland, Ohio

Photo Wikipedia.Org

Address:

4308 Franklin Boulevard
Cleveland, Ohio 44113

Constructed in 1881 by German immigrant Hannes Tiedemann, Franklin Castle quickly earned a reputation as both an architectural marvel and a house of whispers. Tiedemann, a wealthy banker, spared no expense in creating the four-story Victorian mansion, complete with turrets, gables, and elaborate stonework. Beneath its grandeur, however, ran a darker current — one of loss, secrecy, and death.

In the years following the family’s move into Franklin Castle, tragedy struck the Tiedemanns repeatedly. Hannes and his wife Louise lost multiple children within the home, fueling neighborhood rumors that the mansion was cursed. After Louise’s passing in 1895, the estate’s reputation deepened into infamy. Locals whispered that secret rooms, hidden passageways, and even concealed chambers within the walls had been used for dark purposes — everything from bootlegging to murder has been suggested, though much remains unproven.

By the early 1900s, Franklin Castle had become synonymous with misfortune, and tales of hauntings began to circulate. Witnesses have reported disembodied voices echoing through its long hallways, doors that slam shut on their own, and phantom children crying late into the night. The apparition of a woman dressed in black, believed by many to be Louise Tiedemann herself, has been spotted gazing from windows or drifting across the upper floors.

Other chilling encounters include cold spots in hidden passageways, phantom organ music, and the unnerving sound of footsteps pacing in empty rooms. Some visitors claim the walls themselves seem to hold secrets — as if the mansion remembers.

In modern times, Franklin Castle remains a magnet for the curious and the brave, with visitors and investigators alike sharing stories of EVPs, shadow figures, and unexplained movement throughout the house. Its reputation as one of Ohio’s most haunted homes endures.

Monday, March 11, 2019

The Haunting of the Maumee Bay Brewing Company

The Maumee Bay Brewing Company – Lucas County, Toledo, Ohio


Photograph ©Haunted Houses.com


Constructed in 1859, the building originally served as The Oliver House hotel. Throughout its history, it transformed from a makeshift hospital during the Revolutionary War to a boarding house and later, a brief stint as a music studio. Today, the venerable structure houses the Maumee Bay Brewing Company and hosts various other businesses.

The paranormal activity surrounding this brick edifice dates back to the 1960s when an inadvertent addition was constructed over an Indian burial ground. During renovations, workers unintentionally unearthed bones. Realizing their error, they hastily reburied the remains. Unfortunately, during a subsequent renovation, these bones were once again uncovered. This prompted the involvement of local Indian authorities, who sought to appease the angered spirits and purify the grounds.

An occupant, who had an office within the building, reported encountering a ghostly figure in the basement—identified as the "Captain," the original owner from the 1800s. The witness described the apparition appearing surprised at being seen. This spectral presence is known to frequent the private dining room, where witnesses have heard creaking floorboards, witnessed doors opening and closing autonomously, and experienced cold spots. A notable incident involved the daughter of one of the owners hearing a cheerful disembodied male voice addressing her by name in the private dining room. The Captain's apparition has been seen numerous times in this area.

However, the Captain is not the sole spirit dwelling within the building. Witnesses have reported sightings of a woman in period clothing on the staircase, accompanied by accounts of phantom footsteps and other unexplained phenomena that persist to this day. The building's rich history and encounters with the paranormal contribute to its mystique, making it a fascinating subject for those intrigued by the supernatural.
 
Address:
27 Broadway Street
Toledo, Ohio 43604
(419) 241-1253


Thursday, March 7, 2019

The Haunting of the Ohio State Reformatory

Ohio State Reformatory – Richland County, Mansfield, Ohio

Photograph ©Susan@Streamlets


Don’t let the picture above fool you, the Ohio State Reformatory is within the top five largest prisons in the United States of America. The Ohio State Reformatory, however, stands as a colossus among the top five largest prisons in the United States. A mastermind named Levi Scofield envisioned and designed this architectural marvel, with its exterior resembling a fortress and the interior echoing the sacred ambiance of a church. Levi's visionary intent was to inspire incarcerated souls to cast away their malevolent paths and embrace the righteousness of God. Today, this sprawling two hundred and fifty-thousand-square-foot prison serves as a museum, offering visitors three distinctive tours that unravel the secrets held within its walls.

The roots of this imposing structure stretch back to the Civil War era when the land, now occupied by the reformatory, lay bare. Union soldiers utilized this very ground for Camp Mordecai Bartley, a training camp chosen for its strategically positioned natural springs. Post-war, the site witnessed the construction of a reform school for boys. Eventually, in the early nineteenth century, the institution transformed into a federal prison, welcoming inmates from all corners of the nation. However, the early '90s witnessed the emergence of a new prison behind the reformatory, leading to the relocation of its inmates.

By 1995, the Ohio State Reformatory stood desolate, a vast emptiness that found purpose as a cinematic backdrop in renowned films like Shawshank Redemption and Air Force One. In 1996, the Preservation Society breathed new life into the abandoned structure, orchestrating tours to generate funds for the restoration of other historic buildings on the property. Presently, the Preservation Society holds custodianship of the reformatory, shielding it from the ravages of time, ensuring its preservation for generations yet to come.

Beyond its identity as a tourist attraction, the Ohio State Reformatory reveals itself as a magnet for spirits, the echoes of lives lost within its confines lingering on the land.

Within the East Administration Building, whispers of disembodied voices reverberate from the former warden's quarters. Former Warden Glattke and his wife seem to engage in heated arguments, their spectral presence extending to various locations, including the Administration Wing, the courtyard, and several hallways. Mrs. Glattke, often found in her former abode, known as the White Room, brings with her the transient fragrance of roses, a scent that materializes and vanishes abruptly. Startlingly, Mrs. Glattke has communicated with the living, her voice captured on tape, a spectral testament to her lingering presence.

Negative energies seem to converge in the chapel and the west wing shower room, where apparitions of men appear, perhaps still seeking reconciliation with the divine. The shower room witnesses sightings of full-bodied apparitions and vaporous mists materializing and dissipating mysteriously.

In the cell blocks, some spirits, unbound by the physical realm, made their presence known in a more tangible manner. Two female paranormal investigators reported encounters with disembodied hands, shoulders held back, and hands gently guiding one up a flight of stairs. The eerie touch extended to playful tickling on the neck. Others who ventured into the reformatory faced unseen forces blowing in their faces, attempting to choke, shove, hit, punch, and even hurl them down staircases.

Behind the charming Queen Anne/Victorian Gothic exterior lies a realm of foreboding and fright within the walls of this aging prison. While some apparitions bear no malice, others harbor hate, seeking vengeance against any who dare trespass upon their spectral domain. The Ohio State Reformatory stands not only as a monument to architectural prowess but also as a haunted testament to the echoes of history that refuse to fade away.

Address:
100 Reformatory Road
Mansfield, Ohio 44905
(419) 522-2644
Website


Wednesday, February 20, 2019

The Haunting of Squire’s Castle

Squire’s Castle – Cuyahoga County, Cleveland, Ohio

Photograph ©geekgrrl++




The Squire Castle was actually intended to be a chalet when Feargus B. Squire decided he wanted to build an English castle in the wilderness of Cleveland, Ohio. Feargus came to the United States from his homeland in England, bringing his wife with him. Apparently Mrs. Squire was not at all happy out in the woods and while temporarily living in the chalet, she lost her mind. Mrs. Squire’s death, however, remains a mystery; some say she died in the chalet, while others disagree.

After his wife’s death, Feargus Squire decided that he no longer wished to build on his 525 acre estate in Cleveland and sold the property in 1922. In 1925 the estate was purchased by the state of Ohio and was then turned into the Metroparks that it is today.

When acquired by the state, Squire’s Castle was in complete ruins. The state fixed what they could; however, the castle is now only walls. The second and third floors are gone now, leaving the castle but a shell and the basement was filled in with concrete long ago.

In addition to the mysterious death of Mrs. Squire, others have reportedly died in the castle and in the surrounding wooded area. Many of these tragic deaths were self inflicted. Also, many strange activities have taken place in the area; devil worship, animal sacrifices and such and those activities, as well as, the suicides may account for most of the activity there.

Paranormal activity has been reported at Squire’s castle for decades and continues on today. Many have claimed to see the apparition of a woman walking past the second floor windows while she carried a lantern to light her way. What’s so odd about that? There is no second floor, the castle is gutted. Also, it is believed that this same apparition is responsible for the screaming that has been heard by many at night, when no other living person could be seen.

Several other apparitions have been spotted roaming the grounds and the surrounding wooded area and many people have photographed numerous orbs about the place.

No one knows for sure if the female apparition is truly Mrs. Squire’s spirit or not, but one thing is for certain, she has no intention of leaving anytime soon; her spirit continues to haunt the old gate house and many still claim to catch a glimpse of her every now and again.

Address:
North Chagrin Reservation
Cleveland Metroparks
4101 Fulton Parkway
Cleveland, Ohio 44144
(216) 635-3200
Website